Keep Us Strong WikiLeaks logo

Currently released so far... 143912 / 251,287

Articles

Browse latest releases

Browse by creation date

Browse by origin

A B C D F G H I J K L M N O P Q R S T U V W Y Z

Browse by tag

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
AORC AS AF AM AJ ASEC AU AMGT APER ACOA ASEAN AG AFFAIRS AR AFIN ABUD AO AEMR ADANA AMED AADP AINF ARF ADB ACS AE AID AL AC AGR ABLD AMCHAMS AECL AINT AND ASIG AUC APECO AFGHANISTAN AY ARABL ACAO ANET AFSN AZ AFLU ALOW ASSK AFSI ACABQ AMB APEC AIDS AA ATRN AMTC AVIATION AESC ASSEMBLY ADPM ASECKFRDCVISKIRFPHUMSMIGEG AGOA ASUP AFPREL ARNOLD ADCO AN ACOTA AODE AROC AMCHAM AT ACKM ASCH AORCUNGA AVIANFLU AVIAN AIT ASECPHUM ATRA AGENDA AIN AFINM APCS AGENGA ABDALLAH ALOWAR AFL AMBASSADOR ARSO AGMT ASPA AOREC AGAO ARR AOMS ASC ALIREZA AORD AORG ASECVE ABER ARABBL ADM AMER ALVAREZ AORCO ARM APERTH AINR AGRI ALZUGUREN ANGEL ACDA AEMED ARC AMGMT AEMRASECCASCKFLOMARRPRELPINRAMGTJMXL ASECAFINGMGRIZOREPTU ABMC AIAG ALJAZEERA ASR ASECARP ALAMI APRM ASECM AMPR AEGR AUSTRALIAGROUP ASE AMGTHA ARNOLDFREDERICK AIDAC AOPC ANTITERRORISM ASEG AMIA ASEX AEMRBC AFOR ABT AMERICA AGENCIES AGS ADRC ASJA AEAID ANARCHISTS AME AEC ALNEA AMGE AMEDCASCKFLO AK ANTONIO ASO AFINIZ ASEDC AOWC ACCOUNT ACTION AMG AFPK AOCR AMEDI AGIT ASOC ACOAAMGT AMLB AZE AORCYM AORL AGRICULTURE ACEC AGUILAR ASCC AFSA ASES ADIP ASED ASCE ASFC ASECTH AFGHAN ANTXON APRC AFAF AFARI ASECEFINKCRMKPAOPTERKHLSAEMRNS AX ALAB ASECAF ASA ASECAFIN ASIC AFZAL AMGTATK ALBE AMT AORCEUNPREFPRELSMIGBN AGUIRRE AAA ABLG ARCH AGRIC AIHRC ADEL AMEX ALI AQ ATFN AORCD ARAS AINFCY AFDB ACBAQ AFDIN AOPR AREP ALEXANDER ALANAZI ABDULRAHMEN ABDULHADI ATRD AEIR AOIC ABLDG AFR ASEK AER ALOUNI AMCT AVERY ASECCASC ARG APR AMAT AEMRS AFU ATPDEA ALL ASECE ANDREW
EAIR ECON ETRD EAGR EAID EFIN ETTC ENRG EMIN ECPS EG EPET EINV ELAB EU ECONOMICS EC EZ EUN EN ECIN EWWT EXTERNAL ENIV ES ESA ELN EFIS EIND EPA ELTN EXIM ET EINT EI ER EAIDAF ETRO ETRDECONWTOCS ECTRD EUR ECOWAS ECUN EBRD ECONOMIC ENGR ECONOMY EFND ELECTIONS EPECO EUMEM ETMIN EXBS EAIRECONRP ERTD EAP ERGR EUREM EFI EIB ENGY ELNTECON EAIDXMXAXBXFFR ECOSOC EEB EINF ETRN ENGRD ESTH ENRC EXPORT EK ENRGMO ECO EGAD EXIMOPIC ETRDPGOV EURM ETRA ENERG ECLAC EINO ENVIRONMENT EFIC ECIP ETRDAORC ENRD EMED EIAR ECPN ELAP ETCC EAC ENEG ESCAP EWWC ELTD ELA EIVN ELF ETR EFTA EMAIL EL EMS EID ELNT ECPSN ERIN ETT EETC ELAN ECHEVARRIA EPWR EVIN ENVR ENRGJM ELBR EUC EARG EAPC EICN EEC EREL EAIS ELBA EPETUN EWWY ETRDGK EV EDU EFN EVN EAIDETRD ENRGTRGYETRDBEXPBTIOSZ ETEX ESCI EAIDHO EENV ETRC ESOC EINDQTRD EINVA EFLU EGEN ECE EAGRBN EON EFINECONCS EIAD ECPC ENV ETDR EAGER ETRDKIPR EWT EDEV ECCP ECCT EARI EINVECON ED ETRDEC EMINETRD EADM ENRGPARMOTRASENVKGHGPGOVECONTSPLEAID ETAD ECOM ECONETRDEAGRJA EMINECINECONSENVTBIONS ESSO ETRG ELAM ECA EENG EITC ENG ERA EPSC ECONEINVETRDEFINELABETRDKTDBPGOVOPIC EIPR ELABPGOVBN EURFOR ETRAD EUE EISNLN ECONETRDBESPAR ELAINE EGOVSY EAUD EAGRECONEINVPGOVBN EINVETRD EPIN ECONENRG EDRC ESENV EB ENER ELTNSNAR EURN ECONPGOVBN ETTF ENVT EPIT ESOCI EFINOECD ERD EDUC EUM ETEL EUEAID ENRGY ETD EAGRE EAR EAIDMG EE EET ETER ERICKSON EIAID EX EAG EBEXP ESTN EAIDAORC EING EGOV EEOC EAGRRP EVENTS ENRGKNNPMNUCPARMPRELNPTIAEAJMXL ETRDEMIN EPETEIND EAIDRW ENVI ETRDEINVECINPGOVCS EPEC EDUARDO EGAR EPCS EPRT EAIDPHUMPRELUG EPTED ETRB EPETPGOV ECONQH EAIDS EFINECONEAIDUNGAGM EAIDAR EAGRBTIOBEXPETRDBN ESF EINR ELABPHUMSMIGKCRMBN EIDN ETRK ESTRADA EXEC EAIO EGHG ECN EDA ECOS EPREL EINVKSCA ENNP ELABV ETA EWWTPRELPGOVMASSMARRBN EUCOM EAIDASEC ENR END EP ERNG ESPS EITI EINTECPS EAVI ECONEFINETRDPGOVEAGRPTERKTFNKCRMEAID ELTRN EADI ELDIN ELND ECRM EINVEFIN EAOD EFINTS EINDIR ENRGKNNP ETRDEIQ ETC EAIRASECCASCID EINN ETRP EAIDNI EFQ ECOQKPKO EGPHUM EBUD EAIT ECONEINVEFINPGOVIZ EWWI ENERGY ELB EINDETRD EMI ECONEAIR ECONEFIN EHUM EFNI EOXC EISNAR ETRDEINVTINTCS EIN EFIM EMW ETIO ETRDGR EMN EXO EATO EWTR ELIN EAGREAIDPGOVPRELBN EINVETC ETTD EIQ ECONCS EPPD ESS EUEAGR ENRGIZ EISL EUNJ EIDE ENRGSD ELAD ESPINOSA ELEC EAIG ESLCO ENTG ETRDECD EINVECONSENVCSJA EEPET EUNCH ECINECONCS
KPKO KIPR KWBG KPAL KDEM KTFN KNNP KGIC KTIA KCRM KDRG KWMN KJUS KIDE KSUM KTIP KFRD KMCA KMDR KCIP KTDB KPAO KPWR KOMC KU KIRF KCOR KHLS KISL KSCA KGHG KS KSTH KSEP KE KPAI KWAC KFRDKIRFCVISCMGTKOCIASECPHUMSMIGEG KPRP KVPR KAWC KUNR KZ KPLS KN KSTC KMFO KID KNAR KCFE KRIM KFLO KCSA KG KFSC KSCI KFLU KMIG KRVC KV KVRP KMPI KNEI KAPO KOLY KGIT KSAF KIRC KNSD KBIO KHIV KHDP KBTR KHUM KSAC KACT KRAD KPRV KTEX KPIR KDMR KMPF KPFO KICA KWMM KICC KR KCOM KAID KINR KBCT KOCI KCRS KTER KSPR KDP KFIN KCMR KMOC KUWAIT KIPRZ KSEO KLIG KWIR KISM KLEG KTBD KCUM KMSG KMWN KREL KPREL KAWK KIMT KCSY KESS KWPA KNPT KTBT KCROM KPOW KFTN KPKP KICR KGHA KOMS KJUST KREC KOC KFPC KGLB KMRS KTFIN KCRCM KWNM KHGH KRFD KY KGCC KFEM KVIR KRCM KEMR KIIP KPOA KREF KJRE KRKO KOGL KSCS KGOV KCRIM KEM KCUL KRIF KCEM KITA KCRN KCIS KSEAO KWMEN KEANE KNNC KNAP KEDEM KNEP KHPD KPSC KIRP KUNC KALM KCCP KDEN KSEC KAYLA KIMMITT KO KNUC KSIA KLFU KLAB KTDD KIRCOEXC KECF KIPRETRDKCRM KNDP KIRCHOFF KJAN KFRDSOCIRO KWMNSMIG KEAI KKPO KPOL KRD KWMNPREL KATRINA KBWG KW KPPD KTIAEUN KDHS KRV KBTS KWCI KICT KPALAOIS KPMI KWN KTDM KWM KLHS KLBO KDEMK KT KIDS KWWW KLIP KPRM KSKN KTTB KTRD KNPP KOR KGKG KNN KTIAIC KSRE KDRL KVCORR KDEMGT KOMO KSTCC KMAC KSOC KMCC KCHG KSEPCVIS KGIV KPO KSEI KSTCPL KSI KRMS KFLOA KIND KPPAO KCM KRFR KICCPUR KFRDCVISCMGTCASCKOCIASECPHUMSMIGEG KNNB KFAM KWWMN KENV KGH KPOP KFCE KNAO KTIAPARM KWMNKDEM KDRM KNNNP KEVIN KEMPI KWIM KGCN KUM KMGT KKOR KSMT KISLSCUL KNRV KPRO KOMCSG KLPM KDTB KFGM KCRP KAUST KNNPPARM KUNH KWAWC KSPA KTSC KUS KSOCI KCMA KTFR KPAOPREL KNNPCH KWGB KSTT KNUP KPGOV KUK KMNP KPAS KHMN KPAD KSTS KCORR KI KLSO KWNN KNP KPTD KESO KMPP KEMS KPAONZ KPOV KTLA KPAOKMDRKE KNMP KWMNCI KWUN KRDP KWKN KPAOY KEIM KGICKS KIPT KREISLER KTAO KJU KLTN KWMNPHUMPRELKPAOZW KEN KQ KWPR KSCT KGHGHIV KEDU KRCIM KFIU KWIC KNNO KILS KTIALG KNNA KMCAJO KINP KRM KLFLO KPA KOMCCO KKIV KHSA KDM KRCS KWBGSY KISLAO KNPPIS KNNPMNUC KCRI KX KWWT KPAM KVRC KERG KK KSUMPHUM KACP KSLG KIF KIVP KHOURY KNPR KUNRAORC KCOG KCFC KWMJN KFTFN KTFM KPDD KMPIO KCERS KDUM KDEMAF KMEPI KHSL KEPREL KAWX KIRL KNNR KOMH KMPT KISLPINR KADM KPER KTPN KSCAECON KA KJUSTH KPIN KDEV KCSI KNRG KAKA KFRP KTSD KINL KJUSKUNR KQM KQRDQ KWBC KMRD KVBL KOM KMPL KEDM KFLD KPRD KRGY KNNF KPROG KIFR KPOKO KM KWMNCS KAWS KLAP KPAK KHIB KOEM KDDG KCGC
PGOV PREL PK PTER PINR PO PHUM PARM PREF PINF PRL PM PINS PROP PALESTINIAN PE PBTS PNAT PHSA PL PA PSEPC POSTS POLITICS POLICY POL PU PAHO PHUMPGOV PGOG PARALYMPIC PGOC PNR PREFA PMIL POLITICAL PROV PRUM PBIO PAK POV POLG PAR POLM PHUMPREL PKO PUNE PROG PEL PROPERTY PKAO PRE PSOE PHAS PNUM PGOVE PY PIRF PRES POWELL PP PREM PCON PGOVPTER PGOVPREL PODC PTBS PTEL PGOVTI PHSAPREL PD PG PRC PVOV PLO PRELL PEPFAR PREK PEREZ PINT POLI PPOL PARTIES PT PRELUN PH PENA PIN PGPV PKST PROTESTS PHSAK PRM PROLIFERATION PGOVBL PAS PUM PMIG PGIC PTERPGOV PSHA PHM PHARM PRELHA PELOSI PGOVKCMABN PQM PETER PJUS PKK POUS PTE PGOVPRELPHUMPREFSMIGELABEAIDKCRMKWMN PERM PRELGOV PAO PNIR PARMP PRELPGOVEAIDECONEINVBEXPSCULOIIPBTIO PHYTRP PHUML PFOV PDEM PUOS PN PRESIDENT PERURENA PRIVATIZATION PHUH PIF POG PERL PKPA PREI PTERKU PSEC PRELKSUMXABN PETROL PRIL POLUN PPD PRELUNSC PREZ PCUL PREO PGOVZI POLMIL PERSONS PREFL PASS PV PETERS PING PQL PETR PARMS PNUC PS PARLIAMENT PINSCE PROTECTION PLAB PGV PBS PGOVENRGCVISMASSEAIDOPRCEWWTBN PKNP PSOCI PSI PTERM PLUM PF PVIP PARP PHUMQHA PRELNP PHIM PRELBR PUBLIC PHUMKPAL PHAM PUAS PBOV PRELTBIOBA PGOVU PHUMPINS PICES PGOVENRG PRELKPKO PHU PHUMKCRS POGV PATTY PSOC PRELSP PREC PSO PAIGH PKPO PARK PRELPLS PRELPK PHUS PPREL PTERPREL PROL PDA PRELPGOV PRELAF PAGE PGOVGM PGOVECON PHUMIZNL PMAR PGOVAF PMDL PKBL PARN PARMIR PGOVEAIDUKNOSWGMHUCANLLHFRSPITNZ PDD PRELKPAO PKMN PRELEZ PHUMPRELPGOV PARTM PGOVEAGRKMCAKNARBN PPEL PGOVPRELPINRBN PGOVSOCI PWBG PGOVEAID PGOVPM PBST PKEAID PRAM PRELEVU PHUMA PGOR PPA PINSO PROVE PRELKPAOIZ PPAO PHUMPRELBN PGVO PHUMPTER PAGR PMIN PBTSEWWT PHUMR PDOV PINO PARAGRAPH PACE PINL PKPAL PTERE PGOVAU PGOF PBTSRU PRGOV PRHUM PCI PGO PRELEUN PAC PRESL PORG PKFK PEPR PRELP PMR PRTER PNG PGOVPHUMKPAO PRELECON PRELNL PINOCHET PAARM PKPAO PFOR PGOVLO PHUMBA POPDC PRELC PHUME PER PHJM POLINT PGOVPZ PGOVKCRM PAUL PHALANAGE PARTY PPEF PECON PEACE PROCESS PPGOV PLN PRELSW PHUMS PRF PEDRO PHUMKDEM PUNR PVPR PATRICK PGOVKMCAPHUMBN PRELA PGGV PSA PGOVSMIGKCRMKWMNPHUMCVISKFRDCA PGIV PRFE POGOV PBT PAMQ

Browse by classification

Community resources

courage is contagious

Viewing cable 09GUATEMALA1250, GUATEMALA PERFORMING ARTS INITIATIVE (PAI) PROPOSAL -

If you are new to these pages, please read an introduction on the structure of a cable as well as how to discuss them with others. See also the FAQs

Understanding cables
Every cable message consists of three parts:
  • The top box shows each cables unique reference number, when and by whom it originally was sent, and what its initial classification was.
  • The middle box contains the header information that is associated with the cable. It includes information about the receiver(s) as well as a general subject.
  • The bottom box presents the body of the cable. The opening can contain a more specific subject, references to other cables (browse by origin to find them) or additional comment. This is followed by the main contents of the cable: a summary, a collection of specific topics and a comment section.
To understand the justification used for the classification of each cable, please use this WikiSource article as reference.

Discussing cables
If you find meaningful or important information in a cable, please link directly to its unique reference number. Linking to a specific paragraph in the body of a cable is also possible by copying the appropriate link (to be found at theparagraph symbol). Please mark messages for social networking services like Twitter with the hash tags #cablegate and a hash containing the reference ID e.g. #09GUATEMALA1250.
Reference ID Created Released Classification Origin
09GUATEMALA1250 2009-11-10 22:11 2011-08-26 00:00 UNCLASSIFIED Embassy Guatemala
VZCZCXYZ0020
RR RUEHWEB

DE RUEHGT #1250/01 3142212
ZNR UUUUU ZZH
R 102211Z NOV 09 ZFF6
FM AMEMBASSY GUATEMALA
TO RUEHC/SECSTATE WASHDC 0385
INFO RUEHGT/AMEMBASSY GUATEMALA
UNCLAS GUATEMALA 001250 
 
SIPDIS 
STATE FOR ECA/PE/C/CU (LPROCTOR 
CBARROSSE) 
WHA/PDA (MLEE) 
EMBASSIES FOR PAO/CAO 
 
E.O. 12958: N/A 
TAGS: OEXC KPAO SCUL
SUBJECT: GUATEMALA PERFORMING ARTS INITIATIVE (PAI) PROPOSAL - 
TROMBONIST LUIS BONILLA AND ENSEMBLE TO PLAY TENTH ANNUAL BINATIONAL 
CENTER JAZZ FESTIVAL, FEBRUARY/MARCH 2010 
 
REF: STATE 75426 
 
1. SUMMARY:  Post proposes to program critically-acclaimed, U.S. 
Spanish-speaking jazz artist Luis Bonilla and ensemble to perform 
in the U.S.-Guatemala Binational Center's (Instituto Guatemalteco 
Americano, IGA) Tenth Annual International Jazz Festival, and Post 
seeks PAI funding for same.  Guatemala will bring Bonilla's quintet 
for performances and outreach activities from February 28 to March 
7, 2010.  Post will work with IGA and Bonilla to reach out to new 
audiences and marginalized youth in three distinct regions of 
Guatemala.  ECA's Robert Keith identified Bonilla as a musician 
with ample artistic merit for the IGA Jazz Festival; Bonilla has 
traveled as a Cultural Envoy to Honduras and Costa Rica and is a 
member of Jazz at Lincoln Center's Afro Cuban Jazz Orchestra.  Post 
had wished to propose a regional itinerary with another post; 
however, this was not possible due to Bonilla's already tight 
performance agenda with Jazz at Lincoln Center, vis-a-vis the 
timing of the Jazz Festival.  However, Post feels that a 
single-country program in Guatemala ????- a country of 12 million 
including a large percentage of indigenous and youth - will still 
effectively meet PAI and Post's Outreach goals.  END SUMMARY. 
 
 
 
2. PERFORMERS:  The ensemble features Bonilla on trombone; Ivan 
Renta on saxophone; Arturo O'Farrill on piano; Andy McKee on string 
base; and Vince Cherico on drums.  Most of the ensemble members 
speak Spanish, which will greatly enhance outreach activities in 
Guatemala - especially in rural areas.  All performers are U.S. 
citizens. 
 
 
 
3. EVIDENCE OF ARTISTIC QUALITY:  ECA's Robert Keith identified 
Bonilla for Post as a musician with ample artistic merit for the 
IGA Jazz Festival.  Bonilla has traveled as a Cultural Envoy to 
Honduras and Costa Rica and is a member of Jazz at Lincoln Center's 
Afro Cuban Jazz Orchestra.  The California-Costa Rican trombonist, 
composer and arranger is a prominent force in the New York and 
international Jazz and Latin scenes.  He received a Bachelor's 
degree in music from Cal State Los Angeles and a Master's degree in 
Jazz Performance and Composition from the Manhattan School of 
Music.  He is a faculty member at Temple University and at the 
Manhattan School of Music.  Bonilla has been sideman to such 
musical greats as McCoy Tyner, Dizzy Gillespie, Lester Bowie, Tom 
Harrell, Freddie Hubbard, Astrud Gilberto, Willie Colon and Toshiko 
Akiyoshi.  His studio sessions include Billy Childs, Gerry 
Mulligan, Tony Bennett, Marc Anthony, La India, Paquito d'Rivera 
and Mary J. Blige.  Bonilla is also a member of the Vanguard Jazz 
Orchestra and the Mingus Big Band.  He has recorded four CDs to 
glowing reviews.  More information, performance videos of the 
quintet, and critical reviews can be found at: 
www.trombonilla.com.  Recordings can also be heard at: 
www.amazon.com by selecting "Luis Bonilla" under the Music 
category. 
 
 
 
4. PROPOSED SCHEDULE:  Post proposes an eight-day Guatemalan tour 
from Sunday, February 28 to Sunday, March 7.  February 28 and March 
7 are travel days; Monday, March 1 to Saturday, March 6 are program 
days.  Events will take place in three distinct regions of 
Guatemala, in partnership with IGA and where IGA has its locations: 
Guatemala City, the Capital; Quetzaltenango (nicknamed "Xela"), the 
second largest city, widely regarded as Guatemala's indigenous 
capital; and the third largest city Coban, an indigenous cultural 
center with high levels of poverty, located in the Alta Verapaz 
region.  IGA inaugurated its newest satellite location in Coban in 
October 2009. 
 
 
 
The week-long program in Guatemala will include: 
 
 
 
-- artistic development workshops which will concentrate on 
teaching jazz music traditions and instrument skills to youth 
groups from traditionally marginalized youth populations; workshops 
will take place in:  Guatemala City, Xela, and Coban. 
 
 
 
-- three public performances:  one at IGA in Guatemala City, one at 
 
 
 
the Municipal Theater in Xela, and one at the Landivar University 
Auditorium (tentative location) in Coban. 
 
 
 
-- a jazz presentation to underprivileged youth in Xela. 
 
 
 
-- a master class in Guatemala City focused on the "business" of 
being a musician, a topic which is sure to spark interest of 
musicians - both jazz musicians and other professional musicians - 
here (see proposed program, below). 
 
 
 
-- two informal jam sessions, one in Guatemala City and one in 
Xela. 
 
 
 
-- media interviews, and social networking opportunities as 
appropriate. 
 
 
 
Mr. Bonilla explains that his goal as a Costa Rican-American is to 
see Central America prosper economically and musically, and he is 
willing to travel on behalf of the U.S. Department of State to 
promote cultural exchanges in jazz. 
 
 
 
Target audiences will include marginalized and at-risk youth, high 
school and university students, indigenous youth, jazz artists, and 
the general public. 
 
 
 
Guatemala proposes the following itinerary: 
 
 
 
Sunday, February 28: Travel and rest day 
 
 
 
Afternoon:  Arrivals to Guatemala City. 
 
 
 
Evening:  Equipment check. 
 
 
 
RON:  Hotel Mercure, Guatemala City 
 
 
 
Monday, March 1: 
 
 
 
8:00 a.m.:  Travel to Xela (4 hours). 
 
 
 
12 noon:  Lunch and rest. 
 
 
 
2:00-3:30 p.m.:  Jazz presentation for marginalized youth at Casa 
Noj Cultural Center, organized by Miguel Angel Asturias Academy 
(MAA; a school for underprivileged children who could not otherwise 
afford to go to school) and the Instituto Guatemalteco Americano - 
Xela (IGA Xela).  Will include State Department-sponsored Access 
English Language program students as feasible, with IGA's 
cooperation. 
 
 
 
4:00-5:30 p.m.:  Radio, TV and print media interviews, Xela.  TV 
Channel "Region M????s" on Cable DX, Radio Prism FM jazz station, and 
newspaper El Quetzalteco.  TV and radio will be taped.  Print 
 
 
 
interview can also be done ahead of time with material sent in 
advance to meet print deadline. 
 
 
 
7:00 p.m.:  Informal jam session with Xela jazz musicians, 
coordinated by IGA and the Quetzaltenango (Xela) Cultural 
Association.  Location TBD. 
 
 
 
RON:  Hotel Bonifaz, Quetzaltenango (Xela) 
 
 
 
Tuesday, March 2: 
 
 
 
10:00 a.m.-12 noon:  Jazz workshop with music students from "Aulas 
Musicales" (Musical Classrooms), a GOG Education Ministry 
initiative to provide music instruction for rural students outside 
the Capital, organized in cooperation with the Education Ministry, 
and with students from the Jesus Castillo Music School, a music 
school for low-income youth.  Location: Casa Noj Cultural Center. 
Press invited. 
 
 
 
Noon:  Lunch and rest. 
 
 
 
2:30 p.m.:  Live radio interview - Radio Estereo 100. 
 
 
 
3:00 p.m.:  Sound check. 
 
 
 
7:00 p.m.-9:00 p.m.:  CONCERT at Municipal Theater, Xela; as part 
of IGA's Tenth Annual International Jazz Festival; co-sponsored by 
IGA.  Post will make a special invitation to area San Carlos 
University students, workshop participants, and to English Language 
Access Program students. 
 
 
 
RON:  Hotel Bonifaz, Quetzaltenango (Xela) 
 
 
 
Wednesday, March 3: 
 
 
 
8:00 a.m.:  Travel to Guatemala City (4 hours). 
 
 
 
12 noon:  Lunch and hotel check-in. 
 
 
 
2:00-3:30 p.m.:    Jazz workshop with students at the Escuela 
Municipal de Musica (Municipal School of Music; a music school in 
the Capital for low-income youth who cannot afford opportunities 
such as the National Conservatory or private classes).  Press 
invited. 
 
 
 
4:00-5:00 p.m.:  Newspaper and radio (taped) interviews, Guatemala. 
Print interview can also be done ahead of time with material sent 
in advance to meet print deadline for El Periodico's weekly 
magazine Revista "D".  Will include Jorge Sierra's music radio 
program. 
 
 
 
8:00 p.m.:  Informal jam session with local jazz musicians and any 
others available from countries participating in the International 
Jazz Festival.  Location:  TrovaJazz Club. 
 
 
 
 
RON:  Hotel Mercure, Guatemala City. 
 
 
 
Thursday, March 4: 
 
 
 
7:00 am:  Morning TV show, "Mundo por la Manana," Channel 13. 
 
 
 
Mid-morning:  Rest time. 
 
 
 
1:00 p.m.-3:00 p.m.:  Master Class - "Success in Today's Market": 
Entrepreneurship in music, creating an expanding effect on local as 
well as the global jazz culture, the music business itself and 
other facets of the musician's life.  This is one of Bonilla's 
pre-defined master classes. 
 
 
 
3:30 p.m.:  Sound check. 
 
 
 
8:00 p.m.-10:00 p.m.:  CONCERT: IGA Dick Smith Theater, Guatemala 
City, as part of Tenth International Jazz Festival, co-sponsored by 
IGA. 
 
 
 
RON:  Hotel Mercure, Guatemala City. 
 
 
 
Friday, March 5: 
 
 
 
8:00 a.m.:  Travel to Coban (4 hours). 
 
 
 
12 noon:  Lunch, hotel check-in, and rest. 
 
 
 
2:00 p.m.:  Radio and TV interviews, taped, Coban. Cable TV evening 
news program with Amilcar Nuila, airs 6-7pm; Radio La Buena. 
 
 
 
3:00 p.m.:  Sound check. 
 
 
 
7:00 p.m.-8:30 pm:  CONCERT at Landivar University Auditorium 
(tentative), as part of IGA Tenth Annual International Jazz 
Festival, co-sponsored by the newly-opened IGA Coban. Will make 
special invitation to 150 youth from Access English Language 
Program, in cooperation with IGA Coban. 
 
 
 
RON:  Hotel Casa Duranta, Coban 
 
 
 
Saturday, March 6 
 
 
 
9:00-10:30 a.m.:  Jazz workshop with youth from Aulas Musicales 
Coban (Musical Classrooms, see above); organized by Education 
Ministry. 
 
 
 
 
12 noon:  Hotel check-out and travel to Guatemala City (4 hours). 
 
 
 
Evening:  Free. 
 
 
 
RON:  Hotel Mercure, Guatemala City. 
 
 
 
Sunday, March 7:  Travel day 
 
 
 
Morning:  Depart Guatemala to U.S. 
 
 
 
END OF PROPOSED SCHEDULE. 
 
 
 
5. MEDIA AND SOCIAL MEDIA PLAN:  Post will send press kits 
(including CDs as available) to traditional print, radio and TV 
media in advance of the artists' arrival, and will work to schedule 
media interviews as outlined above.  Advance announcements, 
including video (with the artists' permission) will be posted on 
Post's website, Post's Facebook page, and Post's Virtual Presence 
Post (VPP) Xela.  Post will also work with Bonilla to develop a 
plan for use of social media, perhaps by connecting musicians here 
with Bonilla's classroom students in New York, via web chat or 
Facebook, to the extent we can match age groups and talent levels, 
and/or by "blogging" (so-to-speak) his experiences and observations 
while here on Post's Facebook page. 
 
 
 
6. U.S. AND POST-SPECIFIC GOALS:  This program is in support of 
Mission and State Department Goal of "Enhancing Mutual 
Understanding" through engagement of the general public and of 
marginalized youth via the cultural and artistic language of jazz, 
which has its roots as a unique American art form.  Post has a 
continuing close relationship with our Binational Center (IGA) and 
an ongoing commitment to support it.  U.S. participation in the 
Tenth Annual International Jazz Festival is paramount both as a 
means of cultural support to IGA and for the U.S., the home of 
jazz, to figure prominently among other countries represented in 
the festival.  To date, France, Italy, Brazil, and Mexico are 
confirmed to send musicians; confirmation is pending from Spain and 
Germany (which participated last year), Great Britain, Sweden, 
Chile, Argentina and Colombia.  Guatemala will, of course, be 
represented. 
 
 
 
7. POST-SPECIFIC OUTREACH GOALS:  Post established an "Office of 
Outreach" within PAS by obtaining an FSO Outreach Coordinator 
position and hiring an LES native-Mayan K'iche' Outreach Assistant. 
Their mission is to expand outreach efforts beyond Guatemala City 
to target audiences including women, indigenous peoples and youth. 
Circulating this jazz program to Xela and Coban specifically 
fulfills Post's outreach goals.  Mission Outreach staff will 
accompany the musicians to all activities; they will continue to 
promote mutual understanding and will continue to build valuable 
contacts for the Mission outside the Capital. 
 
 
 
8. CO-SPONSORS:  Post will work with established partners, such as: 
our bi-national center, the Guatemalan-American Institute (IGA) in 
all three locations - Guatemala City, Xela and Coban; schools and 
universities such as the Miguel Angel Asturias Academy, Landivar 
University, and the San Carlos University; non-governmental 
organizations such as Casa Noj, individual jazz musicians, and 
others.  Post also expects to bring in government organizations 
that work with underprivileged, at-risk-youth such as the Ministry 
of Education and artistic co-sponsors such as the Ministry of 
Culture.  Guatemala's Tourism Ministry INGUAT has offered to 
provide security (in-kind) for musicians while travelling between 
cities.  IGA, as titular sponsor of the Tenth Annual International 
Jazz Festival, will provide the bulk of administrative and 
programmatic support in organizing the festival.  As described in 
 
 
 
the budget below, specific cost-sharing with the U.S. includes 
paying a portion of hotels, covering venue costs, and in-kind 
contributions of overall festival publicity, to include the U.S. 
performers. 
 
 
 
9. BUDGET:  The complete proposed line-item budget follows. (Note: 
Post can provide the proposed budget in a spreadsheet by email as 
well.) 
 
 
 
 
-------- 
 
ECA/PAI: 
 
 
 
-- International airfare under Fly America rules:  Performer #1 
Bonilla, Portland-Guatemala-NYC, $908; Performer #2, 
Raleigh-Guatemala-NYC, $908; Performers #3-5, NYC-Guatemala-NYC, 
$740 each, total estimated airfare - $4036. 
 
 
 
-- Airline excess baggage charges, $150 for each trombone, sax, and 
cymbals, total - $450. 
 
 
 
-- Airport exit fees (security taxes), $3 per performer, total - 
$15. 
 
 
 
-- Medical Insurance for five performers at $30, $40, $40, $65, $65 
each varying with age, total - $240. 
 
 
 
-- Performance fees for the Bonilla Quintet:  $200 per day 
honorarium for five performers for eight days (including travel 
days), total - $8000. 
 
 
 
-- Leased vehicle with driver for in-country travel (Embassy Motor 
Pool does not have adequate staff to spare nor large enough van to 
transport people and equipment for proposed three-city program): 
seven days excluding 2/28 initial travel day, total - $1900 
 
 
 
-- Post-generated, targeted publicity specifically for Bonilla 
Quintet and their performances, in addition to IGA's general Jazz 
Festival publicity, (e.g. Bonilla Quintet announcement posters, 
flyers, printed programs, press kits, etc.), total - $700. 
 
 
 
TOTAL ECA:  $15,341 
 
 
 
------------------ 
 
EMBASSY GUATEMALA: 
 
 
 
-- M&IE for five performers for two travel days, 2/28 and 3/7, at 
75 percent of $90 Guatemala City rate, total - $675 
 
 
 
-- M&IE for three full days for five performers at Guatemala City 
rate $90 per day, total - $1350 
 
 
 
-- M&IE for three full days for five performers at Guatemala 
"other" rate of $76 per day, total - $1140 
 
 
 
-- M&IE for three Embassy employees (Outreach Coordinator, Outreach 
Assistant, Electronic Media and AV Specialist) accompanying 
performers to Xela, two travel days (75 percent) and one full day 
at $76 "other" rate, total - $570 
 
 
 
-- M&IE for three Embassy employees (Outreach Coordinator, Outreach 
Assistant, Electronic Media and AV Specialist) accompanying 
performers to Coban, two travel days, 75 percent of $76 "other" 
rate, total - $342 
 
 
 
-- Three-fourths of hotel (cost-shared with IGA, see below) for 
five performers for four nights in Guatemala City at $98 per night, 
including taxes, total - $1470 
 
 
 
-- Hotel for five performers for two nights in Xela, including 
taxes, total - $656 
 
 
 
-- Hotel for five performers for one night in Coban, including 
taxes, total - $191 
 
 
 
-- Hotel for three accompanying Embassy employees, Xela, two 
nights, excluding IVA tax, total - $356 
 
 
 
-- Hotel for three accompanying Embassy employees, Coban, one 
night, excluding IVA tax, total - $216 
 
 
 
-- Musical instrument and sound equipment rental for six program 
days, (drum set, string base, keyboard, two amps, monitor, cables, 
microphones, etc., with pick-up and drop off extended over 
weekends) estimate - $3000. 
 
 
 
-- Motor Pool overtime for airport pick-up for three separate 
arrivals and one drop-off on Sundays, $5 per hour for four hours, 
total - $20 
 
 
 
-- Representational expenses for sodas and/or bottled water at 
various workshops, presentations and concerts, estimate - $500 
 
 
 
TOTAL EMBASSY GUATEMALA:  $10,485 
 
 
 
--------------------------------------------- - 
 
IGA BINATIONAL CENTER CO-SPONSOR COST-SHARING: 
 
 
 
-- Venue rentals:  IGA Guatemala, Dick Smith Theater and workshop 
space (in-kind, $600); Municipal Theater and workshop space, Xela, 
$600; Landivar University Theater, Coban, $200:  Total rental of 
workshop space and theatres for concerts - $1400. 
 
 
 
-- Cost-sharing for hotels: one-fourth of Guatemala City hotel cost 
for musicians, as calculated above, total - $490. 
 
 
 
-- Overall jazz festival publicity, in-kind, estimate - $3000. 
 
 
 
TOTAL IGA:  $4,890 
 
 
 
---------------------------- 
 
ADDITIONAL GOG COST-SHARING: 
 
 
 
-- In-kind contribution for INGUAT (Tourism Ministry) security 
officers to accompany musicians on travel between the Capital and 
interior, arranged by IGA:  dollar amount yet undetermined. 
 
 
 
-- Coordination with Education Ministry's "Aulas Musicales" 
(Musical Classrooms) and potential site for those workshops, 
especially in Coban:  dollar amount yet undetermined. 
 
 
 
TOTAL GOG:  $TBD 
 
 
 
END OF PROPOSED BUDGET. 
 
 
 
10.  PLANNED FOLLOW-UP ACTIVITIES:  Photos, video (with artists' 
permission), articles, links to news articles, etc. will be 
featured on Post's website and on Post's Virtual Presence Post 
(VPP) Xela, as well as on the Embassy's Facebook page.  Tweets will 
be sent when these items are posted to alert our followers on 
Twitter.  With support from Bonilla in developing a social media 
plan, a web chat may be organized as follow-up (see social media 
plan above). 
 
 
 
11.  REGIONAL PLANNING:  Post wanted to propose a regional 
itinerary with another post; however, this was not possible due to 
Bonilla's already tight performance agenda with Jazz at Lincoln 
Center, vis-a-vis the timing of the Jazz Festival.  Post felt that 
the opportunity to bring Spanish-speaking performers was critical 
to the success of the program - especially given that even Spanish 
is a second-language for many native Mayan speakers in our outreach 
audience.  Therefore, Bonilla was a great choice for Post. 
Notwithstanding, Post feels that a one-country program in Guatemala 
????- a country of 12 million including a large percentage of 
indigenous and youth - will still effectively meet PAI and Post's 
Outreach goals. 
MCFARLAND